Italian 1494-1557 Jacopo Pontormo Galleries Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo, though he also drew on northern art, primarily the prints of Albrecht Derer.  Related Paintings of Jacopo Pontormo :. | Portrait of a Lady in Red | Altargemalde der Capponi-Kapelle in Santa Felicita in Florenz | Deposition 02 | Madonna and Child with St Anne and Other Saints | Portrat des Niccolo Ardinghelli |
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Ernest Hebert
1817-1908 French Ernest Hebert Gallery He was born in Grenoble and died in La Tronche. His painting Mal aria was exhibited in the Salon of 1850-1851, and now hangs in the Musee d Orsay, Paris. Painted in a Romantic style, it depicts a family of Italian peasants escaping an epidemic by raft, a scene inspired by events Hebert had witnessed while in Italy. His student Paul Trouillebert was an important artist of the Barbizon School. The artist house is preserved in the Musee Hebert in the VIe arrondissement of Paris. There is another museum near Grenoble.
POELENBURGH, Cornelis van
Dutch Baroque Era Painter, ca.1586-1667
MENGS, Anton Raphael
German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime